28 November 2011

Entwistle HDN - High Definition Neodymium Pickups. Updated with a clip!

Well i've been playing these for around a week now and I didn't want to write this up straight away as I wanted to get familiar with the pickups and tweak the heights/polepieces to get them spot on.

And now a week later I am still completely impressed with them. Firstly there's the fact that they are high output and ultra tight in the low end, usually to have this kind of clarity and tightness you would have to sacrifice your cleans completely with say a ceramic pickup... But not with these you get those thick palm mutes and the pinches just really leap out at you going hand in hand with a great midrange grind. Then you switch over to the clean channel and get incredible bell like cleans that have a piezo like quality to them.

The neck pickup is just as impressive as the bridge its higher output than I am used to from my other guitars with Bare Knuckles in but it still retains that same clarity that the bridge had but with extra fluidity with is amazing for legato work and the cleans again are excellent being warmer and fuller than the bridge and very clean and crisp sounding.

Now onto tunings. I have used these pickups in tunings ranging from E Standard right down to B standard and the same qualities remain throughout the tunings and have even outshined the other pickups I own in some of these tunings.

In short these pickups are a metal guitarists dream come true but it doesn't stop there either.
If you knock the gain back on the amp you get into that 80s rock territory that many people crave.

The HDNs also react extremely well using an overdrive pedal which results in even more tightness and cut (not that they needed it) But all in all it makes for an extremely versatile set of pickups for the rock or metal guitarist.

I have a seven string coming my way this week too and i'm not even considering any other brand or type of pickups so far if Entwistle can provide the goods again.





Now you can buy these excellent pickups from here.

22 November 2011

The Laney Gut Project pt1

This is my first post here! Hello!
This is start of a build project in the chassis of an old Laney AOR. AOR's can be picked up second hand pretty cheap or for at least the cost of a blank chassis and a custom head shell. Under the plastic face plate are a bunch of covered holes perfect for trying a number of designs. The chassis is also punched for a whole host of parts... the only downside is that the sockets are riveted onto the 3mm steel chassis, which makes swapping the clamps and sockets hard work!


Details are yet to be decided, but this is going to be a 100watt single channel high gain head. The transformers in the photo are a new SLO style PT and OT available from Tubetown.de. The Choke in the photo's is the original Laney choke. This will be replaced but right now it is riveted to the chassis and the rivets need removing.


More to come....

18 November 2011

Flying V Stain Test + Pickup Update

Here's the primary test of finishing this guitar. I decided to go for a deep blue as the grain on this thing is terrible!

This is just one coat so far i'm going to let it dry overnight to see how dark it settles before deciding whether to do another coat or not.

Also I have an update regarding the pickups that are going in this.

They are something a bit unique that I have never tried before and I have been given promises they will be ultra tight, hot & extremely clear.

They clock in at 16.5k for the bridge pickup and 9.5k for the neck pickup and both feature Neodymium magnets.

I shall give a full review once I have the pickups in and the guitar back in one piece.

10 November 2011

NGD: DIY Flying V

Well this was a heck of a lot easier than I thought it would be. It took about an hour from opening the box to get it together and setup fully.

I am actually pleasantly surprised with this. For £53 its a heck of a lot of guitar, there are no sharp fret edges and the wood is solid and it plays really nice & has a very warm & full acoustic tone.

Now onto the bad parts. The tuners are absolutely junk and these will be the first thing to be changed.
The pickups are also absolute junk but that is exactly what I wanted from them for my pickup experiment which shall be ready once i've got the PCBs fabbed.

Here's the obligatory photo but the lighting is crap so some proper ones along with a "stock" soundclip shall follow tomorrow.



And here is the clip!

DIY Flying V stock test clip by Tony Boyes

6 November 2011

New Guitar Incoming....

Well kinda.

I forgot I bid on this a sometime over the last fortnight and completely forgot about it.

Its got the following spec.

Basswood Body
Maple Neck
Rosewood Fretboard
22 Frets
2 x Shit humbuckers

All the hardware will be replaced with something worthwhile and the pickups are part of my grand upcoming experiment which should be of great interest to the metal crowds.

Oh yeah it also cost the grand sum of £53



4 November 2011

Preparing your Vero/Stripboard

I thought I should link to this before I start with the build log as my camera on my phone sucks for close up photos even with macro enabled!

http://www.societyofrobots.com/member_tutorials/node/90

The link above shows you how to cut the traces and also add in jumpers. It's all self explanatory really but this information is here now if anyone needs it.

2 November 2011

The effects of capacitance on tone.



This is the first part of something that I was asked about on the MetalGuitarist forum.

In itself it can be quite awkward to explain but there are a few basic rules that apply and I will go through them in the simplest application there is to a guitarist.

The tone control. The main properies of a capacitor used in this application is to increase or decrease the high frequencies depending on how they are wired.

A common value that is used as a "tone" capacitor is 0.022uF if you increase this to say 0.1uF you will roll off a far larger amount of the high frequencies.

For a quick reference here are a few common capacitor values that are used in guitars

0.10uF - Darker sometimes described as a muddier sound (no good for metal imho)

0.047uF - Less dark, with a pleasant frequency curve through the travel of the pot.

0.022uF - This cap gives a brighter sound and does not roll off as much high end and also has a good frequency curve throughout the travel of the pot

Another point that i have seen come up on various forums is that a higher voltage capacitor will change/alter the sound. This is NOT true a using a 600v  Orange Drop will have the exact same effect as using a 100v Orange Drop as your guitar will never see 600v going through it and if it does there is something seriously wrong!

Also using a really low value capacitor will give the effect of reducing the low end frequencies when wired up with a pot this can be seen in an excellent post on the MetalGuitarist forum.

I shall do more of these in different applications if people request them.